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	      																										mah 
	      (ม้า, 马)  
			Thai-Chinese-Vietnamese for ‘horse’. In Thai, this word, also transcribed ma, carries a high tone and is not to be 
			confused with the same word (mah), 
			that has a rising tone and means ‘dog’. The Chinese name 
			for ‘horse’, is also mah (马), 
			but is pronounced with a (low) falling-rising tone, while in Vietnamese the word ma (mã) is used, as in Bach Ma, i.e. ‘White Horse’, the name of
		a 220 km² National Park (fig.) in central 
                
																												
				Vietnam, between the Hai Van Pass (fig.) and the city of Hué (Huế). In
		
		
			
		feng shui, the horse is 
			considered auspicious and is associated with success and fame, and 
			two horses together stand for a strong partnership in either 
			business or marriage. In  
		China, 
			seven horses together may symbolize the unification of China (fig.) under 
			its first Emperor
			
			
			Qin Shi Huang Ti (fig.), 
			whom unified his kingdom with 6 others, each represented by a horse. 
			Besides this, the horse is the seventh animal in the
			
			
			Chinese zodiac (fig.). 
			It represents strength and energy, and those born in the Year of the 
			Horse are said to have an outgoing personality. The 
			horse features on many a 
			Thai postage stamp, including the 
			
			
			Songkraan Day Postage 
			Stamp, issued in 2002 (fig.).
																												Many of the horses found in Thailand are small in size and are
			  mostly used as beasts of burden and to a lesser extend for riding, especially by the army and hill tribe people, who mostly use a smaller kind of horse called 
	      mah klaeb (fig.). Horses are also used in the 
			making of 
			antivenin for snakebites. The venom is injected into horses, who consequently produce 
			the serum (fig.). 
			In legends and mythology, the 
			horse is the mount of several characters, including
			
			
			
			
			Xuanzang 
			(fig.), 
			i.e. 
			
			Tripitaka (fig.),
			Tinh Toa La Han (fig.), 
			i.e. 
			
Nakula (fig.), 
			and —sometimes in addition— it may also appear as a 
			character in its own right, e.g. 
						
				Yulong Santaizi
			(fig.) 
			and  
Kanthaka (fig.),
			or in stories associated with horses, such as 
			
			
			Nang Kaew Nah Mah 
			(fig.). 
			In most Asian cultures, the horse is presents the 
			
		      
		      yang 
			feature of nature, as well as the fire element in the
			
			Five Elements. This might have 
			given rise to the  
			fire-breathing 
		      
		      
		      horse 
			of iron (fig.) 
			in the Vietnamese folk story of 
			
			
			Thanh Giong 
			and the  
			
			
			mah nin mangkon
			
			
			dragon horses in 
			the Thai story of 
			
			Phra Aphaimanih 
			(fig.). 
			Other mythological horses incluide the 
			Wind Horse Lung Ta found on 
			Buddhist 
			
			prayer flags 
			in 
			Tibet and Nepal 
			(fig.); 
			
			
			
						
			Balaha 
			in 
			
	Cambodia 
			(fig.), 
			a talking, flying white 
			horse from
			 Khmer 
			mythology that rescues 
			those who repent from their sins; 
			
			Vajimukha and
			
			
			Kalkin,
			two equine 
			forms of the Hindu god 
			
			Vishnu;
			
			
			Hayagriva, 
			the Hindu god of knowledge and wisdom; and 
			
			
			Ashwini,
			a 
			nymph who concealed herself as a mare 
			in India. See also  
			Ashwin,  
	            
                
	            																								
              	equestrian iconography, 
			and 
			
			
			mah mangkon.
			
			
			See also THEMATIC STREET LIGHT 
			and 
			
			
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