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		Wat Doi Ngam Meuang (วัดดอยงำเมือง)  
			Thai. Name of a 
			Buddhist hilltop temple in the city of 
			
			
			Chiang Rai. 
			Located on a hill, the temple is accessible via a long staircase 
			flanked with 
			
			naga-balustrades, 
			that leads to a double wooden gate of which the large doors have 
			been elaborately carved with on one side scenes from 
			
			Buddhism, such as the 
			
			Buddha's descent 
			from the
			
			
			
			Tavatimsa Heaven, and
			
			
			Siddhartha in the
			
			
			maravijaya pose with 
			
			Bhumidevi, i.e.
			
			
			Mae Phra Thoranee, the 
			goddess of earth, who appeared as a witness of the Buddha's 
			accumulated merits from earlier lives, just before the moment of his
			
			
		Enlightenment and here depicted 
			wringing water from her hair, thus aiding the Buddha in his 
			resistance against 
			
			Mara, i.e. the ‘destroyer’, 
			also known as the tempter or the evil one, by flushing his army of 
			spirits away, saving the Buddha from the temptation of desire. 
			Adjacent to it, passed this entrance, eight tall wooden pillars have 
			been erected, their number representative for the Buddha's
			
			
		Eightfold Path. Each one 
			displays bas-relief carvings with scenes from history, depicting 
			mostly local village life, as well as mahouts and the king on 
			elephants. On the plateau next to the main prayer hall is a brick 
			
			chedi, an 
			ancient monument known as Ku Phra Chao Mengrai (กู่พระเจ้าเม็งราย), 
			i.e. a ku (กู่) or 
			
			stupa containing 
			the ashes
			
			
		Poh Khun
			
			
			Mengrai, who in 1262 AD 
			founded the city that was named after him and whose statue is 
			erected in the front of the stupa. Adjacent to the monument are 
			statues of white horses and a white elephant. Whereas the latter is 
			an animal which in Buddhist nations is regarded as sacred and a 
			symbol of royal might, and which is believed to bring good fortune 
			to any nation that posses it, the horses are a symbol of power, 
			freedom and independence. The stupa was built by
			
			
			
			Phaya Chai Songkhram 
			(ไชยสงคราม), the son of King Mengrai and his successor. To the left 
			of the staircase that leads to the main prayer hall, is a statue of 
			
		Phra Upakhut, a Buddhist deity, 
			who is believed to protect and have authority over all water, and is 
			hence called upon to protect seafaring people, as well as to ask for 
			rain, or alternatively, to stop the rain. In Thailand, he is 
			believed to eradicate any obstacles to progress, and to vanquish 
			danger. He is portrayed in a seated 
				
				half lotus position, 
			i.e. the right foot resting on the left thighbone and the left foot 
			under the right thigh, with his head slightly tilted up, as if 
			looking at the sky, and holding an alms bowl in one hand, while 
			putting the fingers of his other hand into the bowl, a
			
			
			mudra or ‘hand 
			position’ that in Buddhist 
				
				iconography normally 
			refers to eating from an
			
			
			alms bowl. On a slope in 
			front of the temple is a statue of the Hindu god
			
				
				Ganesha, represented 
			with a human body and the head of an elephant, with one tusk broken 
			off, and here painted silver and gold, reminiscent of the
			
			
			silver and gold trees used 
			as the annual tribute that vassal states in the past were required 
			to pay to the ruling kings, as an indication of their loyalty.
			
			
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